Thursday, October 14, 2010

Short session with some new Hendrix

This week we'll have a shortened session due to Raikan's special work hours, but we'll still try to catch up on some of the unplayed DLC (including this week's new Jimi Hendrix album).

It will be our 2nd last session playing RB2 as the much anticipated RB3 is soon upon us! :)

Here is my top 3 DLC from last week (after playing them on all solo instruments):

3. "Betty and Me", by Jonathan Coulton:

Jonathan Coulton is back with another great RBN song, this time with some neat country guitar and a genetics theme. The drum chart is fairly fast and has a few tough rolls. There is also a decent amount of movement on bass. One highlight is the relentless hammer-ons on guitar, especially in the pre-chorus and chorus... The song is quite funny once you hear all the lyrics. It is in my top 3 Jonathan Coulton songs released so far in RB in terms of story due to its interesting progression (after "Skullcrusher Mountain" and "Creepy Doll").

2. "Hey There Mr. Brooks", by Asking Alexandria:

What makes this metal track stand out is its amazing sound. I love the symphonic addition near the end and the various transititions and riffs throughout. It also has a bit of a black metal feel and some well-integrated techno elements. The drum chart is always fun, being fast and diverse with a lot of interesting bass pedal patterns. The guitar and bass charts are not overly difficult, except for a few fast strumming sections. The vocals have a good mix of death + clean vocals. I liked the voice during the symphonic part near the end.

1. "Shallow Waters", by Amberian Dawn:

This is my favorite Amberian Dawn track since "He Sleeps in a Grove" due to its amazing heavy riffs, interesting transitions and great operatic melodies. The drum chart is pretty diverse, including some fun fast rolls with lots of bass pedal. The strumming on guitar and bass can be pretty intense. Watch out for some really challenging guitar solos. As usual the vocals are a treat due to the singer's outstanding lyrical voice.

Honorable mention. "Driver 8", by R.E.M.:

The R.E.M. songs released last week are fairly simple, but I have to say that they definitely grew on me after each listen. There were lots of neat moments, including the infectious chorus of "It's the End of the World as We Know It" (would be great with harmonies), the super catchy "Stand", plus the fun constant sound of "Radio Free Europe", but overall the mellow "Driver 8" was my favorite due to its neat country-ish riffs on guitar and unique melancholic feel. The bass chart is pretty constant, with nice up and down movement. There is also a decent amount of variety on vocals, including some nice long clean lines.

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